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2018/07/23

no. 9... no. 9... no. 9...

 

 

Following is a depiction of the soundscape 'Revolution 9' from the album "The Beatles" aka "The White Album" (1968) by The Beatles.

 

 

•0:00 (dialogue)

 

Bottle of claret for you if I'd realised.

 

Well, do next time.

 

I'd forgotten all about it, George, so I'm sorry. Will you forgive me?

 

Yes.

 

 

Cheeky bitch.

 

 

•0:09 (piano sounds: kind of a theme in B minor)

 

 

•0:11(speaking: also sounds like keynotes)

 

Number 9, number 9, number 9, number 9, number 9,

 

number 9, number 9, number 9, number 9, number 9,

 

number 9, number 9, number 9, number 9, number

 

 

•0:24 to the end (sound collage, much of which consists of tape loops)

 

(including sampled concrete natural sounds, human voices, speakings, monologues, dialogues, laughs, cryings, shouts, and excerpts from some music works, piano sounds)

 

 

 

 

 

•1:00

 

Then there's this Welsh Rarebit wearing some brown underpants

 

About the shortage of grain in Hertfordshire

 

Every one of them knew that as time went by

 

They'd get a little bit older and a little bit slower but

 

It's all the same thing, in this case manufactured by someone who's always

 

Umpteen times

 

Your fibres giving it diddly-i-dee

 

District was leaving, intended to pay for

 

 

(human laughs)

 

 

•1:56

 

Number 9, number 9...

 

 

• 2:00

 

Who's to know?

 

Who was to know?

 

 

(baby crying)

 

(a bit Indian music = prob. guitar notes sampled)

 

 

•2;11

 

Number 9, number 9, number 9, number 9,

 

number 9, number 9, number 9, number 9,

 

number 9, number 9, number 9, number 9

 

 

•2:16

 

I sustained nothing worse than

 

Also spoken for

 

Whatever you're doing

 

A business deal falls through

 

I informed him on the third night

 

When fortune gives

 

 

•2:35

 

Number 9, number 9, number 9

 

 

•2:42

 

Right, right

 

Right, right, right, right

 

Right, right

 

 

•2:59

 

9, number 9, number 9, number 9

 

 

•3:02

 

I've missed all of that

 

It makes me a few days late

 

Compared with, like, wow!

 

And weird stuff like that

 

Taking our sides sometimes

 

Floral bark

 

Rouge doctors have brought this specimen

 

I have nobody's short-cuts, aha...

 

 

•3:38

 

9, number 9

 

 

•3:47

 

With the situation

 

They are standing still

 

The plan, the telegram

 

 

Ooh ooh

 

 

•3:57

 

Number 9, number

 

 

Ooh

 

 

•4:03

 

A man without terrors from beard to false

 

As the headmaster reported to me

 

My son he really can try as they do to find function

 

Who could tell what he was saying, and his voice was low and his hive was high

 

And his eyes were low

 

 

•4:13

 

All right!

 

 

•4:27

 

Number 9, number 9, number 9, number 9,

 

number 9, number 9, number 9, number 9,

 

number 9, number 9, number 9

 

 

•5:03

 

So the wife called, and we'd better go to see a surgeon

 

Or whatever to price it

 

 

•5:08

 

Right!

 

 

•5:11

 

Yellow underclothes

 

So, any road, we went to see the dentist instead

 

Who gave her a pair of teeth which wasn't any good at all

 

So I said I'd marry, join the bloody Navy and went to sea

 

In my broken chair, my wings are broken and so is my hair

 

I am not in the mood for wearing

 

 

•5:48

 

Um da

 

Aaah

 

 

•6:00

 

How?

 

The dogs were dogging, the cats were catting

 

The birds were birding, and the fish were fishing

 

The men were themming, and the when were whimming

 

Only to find the night-watchman

 

Unaware of his presence in the building

 

Onion soup

 

 

•6:31

 

Number 9, number 9, number 9,

 

number 9, number 9, number 9

 

 

•6:34

 

Industrial output

 

Financial imbalance

 

 

Thrusting it between his shoulder blades

 

 

The Watusi

 

The Twist

 

 

El Dorado

 

 

•6:53
Take this, brother, may it serve you well

 

 

 

Maybe it's nothing

 

Aaah

 

Maybe it's not that; it's

 

What? What? Oh

 

 

•7:05 (Yoko speaks)

 

Maybe even then

 

Exposures in London

 

It's a difficulty being

 

By exposure

 

Because it's almost like being naked

 

 

•7:52

 

If you become naked

 

 

•7:55

 

That line

 

Hold that line

 

Hold that line

 

Hold that line

 

Hold that line

 

 

Block that kick

 

Block that kick

 

Block that kick

 

Block that kick

 

Block that kick

 

Block that kick

 

Block that kick

 

Block that kick

 

Block that kick

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